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« clara auclair »

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    par Charles Rushing ...
    Modern Architecture began with the advent of electric power; once harnessed the power of electricity produced steel for structure, drives to operate elevators, and even telephones to comunicate specifications instantly. With electric power modern architecture was free to separate from classical architecture as clearly defined by Rushkin who claimed that: "... once metal touches stone it is no ... En savoir plus

    $5.99 CAD ou Gratuit avec Kobo Plus

  • Expo 67

    Not Just a Souvenir

    Expo 67, the world's fair held in Montreal during the summer of 1967, brought architecture, art, design, and technology together into a glittering modern package. Heralding the ideal city of the future to its visitors, the Expo site was perceived by critics as a laboratory for urban and architectural design as well as for cultural exchange, intended to enhance global understanding and ... En savoir plus

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  • Jean-Luc Godard, Cinema Historian

    par Michael Witt ...
    Originally released as a videographic experiment in film history, Jean-Luc Godard's Histoire(s) du cinéma has pioneered how we think about and narrate cinema history, and in how history is taught through cinema. In this stunningly illustrated volume, Michael Witt explores Godard's landmark work as both a specimen of an artist's vision and a philosophical statement on the history of film. Witt ... En savoir plus

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  • The Cinema of Agnès Varda

    Resistance and Eclecticism

    Collections series Directors' Cuts
    Agnès Varda, a pioneer of the French New Wave, has been making radical films for over half a century. Many of these are considered by scholars, filmmakers, and audiences alike, as audacious, seminal, and unforgettable. This volume considers her production as a whole, revisiting overlooked films like Mur, Murs/Documenteur (1980–81), and connecting her cinema to recent installation work. This study ... En savoir plus

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  • The Lumière Galaxy

    Seven Key Words for the Cinema to Come

    Collections series Film and Culture Series
    Francesco Casetti believes new media technologies are producing an exciting new era in cinema aesthetics. Whether we experience film in the theater, on our hand-held devices, in galleries and museums, onboard and in flight, or up in the clouds in the bits we download, cinema continues to alter our habits and excite our imaginations.Casetti travels from the remote corners of film history and theory ... En savoir plus

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  • Chris Marker

    Memories of the Future

    Chris Marker is one of the most extraordinary and influential film-makers of our time. In landmark films such as Letter from Siberia (1958), La Jetée (1962), Sans Soleil (1982) and Level Five (1996), he overturned the conventions of the cinema, confounding normal distinctions between documentary and fiction, private and public concerns, writing and visual recording, and the still and moving image. ... En savoir plus

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  • No Medium

    par Craig Dworkin ...
    Close readings of ostensibly “blank” works—from unprinted pages to silent music—that point to a new understanding of media.In No Medium, Craig Dworkin looks at works that are blank, erased, clear, or silent, writing critically and substantively about works for which there would seem to be not only nothing to see but nothing to say. Examined closely, these ostensibly contentless works of art, ... En savoir plus

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  • The Faber Book of French Cinema

    par Charles Drazin ...
    Offering portraits of such key figures as the Lumière brothers, Georges Méliès, Charles Pathé and Léon Gaumont, he looks at the early pioneers who transformed a fairground novelty into a global industry.The crisis caused by the First World War led France to surrender her position as the world's dominant film-making power, but French cinema forged a new role for itself as a beacon of cinematic ... En savoir plus

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  • The End of Cinema?

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    Collections series Film and Culture Series
    Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape.The authors begin ... En savoir plus

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  • Canadian Film

    Perspectives on Canadian Culture

    Canadian Film is a historical overview of film in both English and French Canada, from its early use to encourage immigration and, in Quebec, to promote traditional fidelities, to its struggles to project a uniquely Canadian identity and experience. All major modes of film are discussed—the documentary tradition from the NFBs wartime production to the award winners of the eighties, fictional film ... En savoir plus

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  • After Uniqueness

    A History of Film and Video Art in Circulation

    par Erika Balsom ...
    Collections series Film and Culture Series
    Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership. From this ... En savoir plus

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