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  • Different Times

    A History of British Comedy

    par David Stubbs ...
    They don't make comedy like they used to . . .From the slapstick comedy of Charlie Chaplin and Stan Laurel, the surrealism of Spike Milligan and Monty Python, and the golden age of political incorrectness helmed by Benny Hill, to the alternative scene that burst forth following the punk movement, the hedonistic joy of Absolutely Fabulous, the lacerating scorn of Jimmy Carr, Ricky Gervais, and Jo ... En savoir plus

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  • Future Days

    Krautrock and the Building of Modern Germany

    par David Stubbs ...
    West Germany following the Second World War was a country in shock: estranged from its recent history, and adrift from the rest of Europe. But this disorientating landscape proved fertile ground for a generation of musicians who, from the 1960s onwards, would develop the experimental and various sounds that became known as Krautrock.Eschewing the Anglo-American jazz/blues tradition, they took ... En savoir plus

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  • Mars by 1980

    The Story of Electronic Music

    par David Stubbs ...
    Electronic music is now ubiquitous, from mainstream pop hits to the furthest reaches of the avant garde. But how did we get here? In Mars by 1980, David Stubbs charts the evolution of synthesised tones, from the earliest mechanical experiments in the late nineteenth century, through the musique concrete of the Futurists and radical composers such as Pierre Schaeffer and Karl Stockhausen, to the ... En savoir plus

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  • Fear of Music

    Why People Get Rothko But Don't Get Stockhausen

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    Modern art is a mass phenomenon. Conceptual artists like Damien Hirst enjoy celebrity status. Works by 20th century abstract artists like Mark Rothko are selling for record breaking sums, while the millions commanded by works by Andy Warhol and Francis Bacon make headline news. However, while the general public has no trouble embracing avant garde and experimental art, there is, by contrast, mass ... En savoir plus

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  • Fear of Music

    Why People Get Rothko but Don't Get Stockhausen

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    Modern art is a mass phenomenon. Conceptual artists like Damien Hirst enjoy celebrity status. Works by 20th century abstract artists like Mark Rothko are selling for record breaking sums, while the millions commanded by works by Andy Warhol and Francis Bacon make headline news. However, while the general public has no trouble embracing avant garde and experimental art, there is, by contrast, mass ... En savoir plus

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  • Better Call Saul

    The World According to Saul Goodman

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  • 1996 And The End of History

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    1996 And The End of History examines the year as it panned out in the UK not just in politics but in music, light entertainment and sport. It was the zenith of a decade which will go down as remarkably untroubled bymodern standards; following the collapse of the Berlin Wall, prior to 9/11, in which political conditions of peace and apparent economic prosperity created an overall mood of frivolity, ... En savoir plus

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  • Numbers

    Collections series Brazos Theological Commentary on the Bible
    Explore how the roots of the ancient Christian tradition inform and shape faithfulness todayThe Brazos Theological Commentary on the Bible enlists leading theologians to read and interpret scripture creedally for the twenty-first century, just as the church fathers, the Reformers, and other orthodox Christians did for their times and places.A rich resource for preachers, teachers, students, and ... En savoir plus

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  • Understanding and Preventing Falls

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    In the summer of 2011, a mysterious gentleman sidled up to the reception of a London publishing house, deposited a memory stick on the desk then melted away. The stick was a revelation; it contained hundreds of letters, all seemingly written by Prince Charles.Dating back to his boyhood and addressed to a far wider range of recipients than hitherto suspected – including the Pope, Celine Dion and a ... En savoir plus

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  • The Duchess of Windsor

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    An intimate of the Duke and Duchess of Windsor, Diana Mosley was a frequent guest at their parties in Paris, or at 'the Moulin' in Orsay, where they were neighbours. Written in her inimitable style Diana Mosley paints a remarkable portrait of her friend that is also realistic with regards to her flaws. What was it about her that utterly captivated the heir to the throne and made him renounce it ... En savoir plus

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