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    Os rostos são pálidos e sem expressão. Os olhos, vidrados e sem profundidade. Os corpos se movimentam como se fossem autômatos. Eles vagueiam pelas ruas, pátios de fábricas, escritórios e muitos outros lugares em busca de algo que pode satisfazer sua fome. Ao ler esse relato, seria natural pensar nos zumbis que povoam os cenários de filmes como o clássico A noite dos mortos-vivos, da série The ... En savoir plus

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  • The Ethics of Ernst Lubitsch

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    Against the idea that comedy offers us a relief from the horrors of the real world, the German-Jewish-American filmmaker Ernst Lubitsch defended his masterpiece To Be or Not to Be, a comedy from 1942 about the concurrent Nazi occupation of Poland, with the claim that he had made up his mind “to make a picture with no attempt to relieve anybody from anything at any time.” The essays included in The ... En savoir plus

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  • The Object of Comedy

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