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    A group of teenage street magicians in New York performed for difficult audiences. For example, they conducted magic shows for people waiting in line for events, such as, a theater show, a full restaurant, or a museum exhibit. People in line are typically an ornery bunch. Conditions are never good. It's either too hot, or it's about to rain. Even on perfect days, their feet began to swell. They ... En savoir plus

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  • Listening Across Borders

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    Listening Across Borders: Musicology in the Global Classroom provides readers with the tools and techniques for integrating a global approach to music history—within the framework of the roots, challenges, and benefits of internationalization—into the modern music curriculum. Contributors from around the world offer strategies for empowering students to critique the economic, ideological, and ... En savoir plus

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  • Sacred and Secular Intersections in Music of the Long Nineteenth Century

    Church, Stage, and Concert Hall

    Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall explores interconnections of the sacred and the secular in music and aesthetic debates of the long nineteenth century. The essays in this volume view the category of the sacred not as a monolithic attribute that applies only to music written for and performed in a religious ritual. Rather, the ... En savoir plus

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  • The Music History Classroom

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    The Music History Classroom brings together essays written by recognized and experienced teachers to assist in the design, implementation, and revision of college-level music history courses. This includes the traditional music history survey for music majors, but the materials presented here are applicable to other music history courses for music majors and general education students alike, ... En savoir plus

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  • Music Along the Rapidan

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