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  • Movie Wars

    How Hollywood and the Media Limit What Movies We Can See

    Is the cinema, as writers from David Denby to Susan Sontag have claimed, really dead? Contrary to what we have been led to believe, films are better than ever—we just can't see the good ones. Movie Wars cogently explains how movies are packaged, distributed, and promoted, and how, at every stage of the process, the potential moviegoer is treated with contempt. Using examples ranging from the New ... En savoir plus

    $17.99 CAD ou Gratuit avec Kobo Plus

  • Cinematic Encounters 2

    Portraits and Polemics

    Eschewing the idea of film reviewer-as-solitary-expert, Jonathan Rosenbaum continues to advance his belief that a critic's ideal role is to mediate and facilitate our public discussion of cinema. Portraits and Polemics presents debate as an important form of cinematic encounter whether one argues with filmmakers themselves, on behalf of their work, or with one's self.Rosenbaum takes on filmmakers ... En savoir plus

    $16.99 CAD

  • Cinematic Encounters

    Interviews and Dialogues

    Godard. Fuller. Rivette. Endfield. Tarr. In his celebrated career as a film critic, Jonathan Rosenbaum has undertaken wide-ranging dialogues with many of the most daring and important auteurs of our time.Cinematic Encounters collects more than forty years of interviews that embrace Rosenbaum's vision of film criticism as a collaboration involving multiple voices. Rosenbaum accompanies Orson Welles ... En savoir plus

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  • Abbas Kiarostami

    Expanded Second Edition

    Collections series Contemporary Film Directors
    Before his death in 2016, Abbas Kiarostami wrote or directed more than thirty films in a career that mirrored Iranian cinema's rise as an international force. His 1997 feature Taste of Cherry made him the first Iranian filmmaker to win the Palme d'Or at Cannes. Critics' polls continue to place Close-Up (1990) and Through the Olive Trees (1994) among the masterpieces of world cinema. Yet Kiarostami ... En savoir plus

    $16.99 CAD

  • Unwatchable

    We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. From news coverage of terror attacks to viral videos of police brutality, and from graphic horror films to transgressive artworks, many of the images in our media culture might strike us as unsuitable for viewing. Yet what does it mean to proclaim something “unwatchable”: disturbing, ... En savoir plus

    $32.99 CAD

  • Essential Cinema

    On the Necessity of Film Canons

    In his astute and deeply informed film reviews and essays, Jonathan Rosenbaum regularly provides new and brilliant insights into the cinema as art, entertainment, and commerce. Guided by a personal canon of great films, Rosenbaum sees, in the ongoing hostility toward the idea of a canon shared by many within the field of film studies, a missed opportunity both to shape the discussion about cinema ... En savoir plus

    $35.99 CAD

  • Dead Man

    Collections series BFI Film Classics
    When it was released in 1995, Dead Man puzzled many audiences and critics. Jim Jarmusch's reputation was for directing slick, hip contemporary films. And Dead Man was a black-and-white Western. As time has passed, though, the number of its admirers has grown rapidly. Indeed Dead Man, with its dark and unconventional treatment of violence, racism and capitalism, may be Jarmusch's finest work to ... En savoir plus

    $16.99 CAD

  • Who's Knot Hare?

    The Knot Hare introduces himself to the reader as an undiscovered cryptid who no one can see. He invites the reader along on a journey to be discovered by the Professor, a famous cryptid hunter who is on a tour of the United States to discover cryptids. Using the Cryptid Weakly magazine, Knot Hare follows the Professor around the world in an attempt to be discovered. He regularly fails to be ... En savoir plus

    $10.99 CAD

  • Greed

    Collections series BFI Film Classics
    Greed is a legendary film begun in 1923. It was to have been Erich von Stroheim's masterwork, but his colossal ambitions were to be his undoing. His obsession with realistic detail and determination to extract every ounce of drama from his source, Frank Norris's novel McTeague, stretched the shooting schedule to inordinate lengths, resulting in a film which ran for over seven hours.Jonathan ... En savoir plus

    $16.99 CAD

  • Movie Mutations

    The Changing Face of World Cinephilia

    Modifié par Jonathan Rosenbaum, Adrian Martin ...
    The idea of cinephilia is a crucial one for students of the cinema, but it is often associated with a bygone arthouse era. At the beginning of the twenty-first century, corporatism, public relations and bottom-line accounting seem to govern mainstream film-making. Formula-driven Hollywood blockbusters dominate the world marketplace. In times like these can 'the love of cinema' still flourish? In ... En savoir plus

    $64.99 CAD

  • Il cinema secondo Orson Welles

    Traduit par Roberto Buffagni ...
    Collections series La cultura
    Orson Welles è stato l'artista più dirompente e decisivo dall'avvento del cinema sonoro. A ventitré anni sconvolse l'America annunciando alla radio l'invasione della Terra da parte di creature venute da Marte. A venticinque, con un'opera cruciale come Quarto potere, riscrisse la grammatica filmica imponendo tecniche come la profondità di campo, il long-take e il piano sequenza. Da allora la sua ... En savoir plus

    $15.99 CAD

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  • Bestiario nazista

    Gli animali nel Terzo Reich

    par Jan Mohnhaupt ...
    «Il libro del momento, perché insegna a prestare attenzione al linguaggio di chi arriva al potere e mira a distruggere l’esistente.»Berliner Morgenpost - Cosima Lutz«Un libro sugli animali non è mai stato così politico, la follia razziale mai così evidente, fin nel più piccolo dettaglio. »Die Zeit - Nora Voit«Affronta questi temi, offrendo risposte sorprendenti e originali, il saggio di Jan ... En savoir plus

    $17.99 CAD